The National Film Board of Canada and the Indigenous Screen Office (ISO) are pleased to announce the winners of the inaugural Immersive/Interactive Producer Fellowship at the NFB.
May highlights on nfb.ca will feature Asian Heritage Month special programming, as Prajwala Dixit’s love, amma and the world premiere of Weiye Su’s A Passage Beyond Fortune join the National Film Board of Canada’s growing online collection, and the NFB hosts online conversation with animators of Asian descent on May 10 and 17.
Montreal’s 21st annual Sommets du cinéma d’animation festival will run May 9 to 14, 2023, and the NFB returns to the event in style with six productions and co-productions, offering audiences a variety of animation techniques, themes, stories and personal perspectives with universal appeal.
Borislav Kolev’s feature doc Theodore Ushev: Unseen Connections (Theodore Ushev: liens invisibles) will open on May 19 at the Cinémathèque Québécoise in Montreal, in its original Bulgarian and English version with French subtitles.
Daniel Gray’s multi-award-winning animated short HIDE (La Cellule Productions/CUB Animation/National Film Board of Canada) is being featured as a Staff Pick on Vimeo, starting April 17. HIDE is available worldwide on nfb.ca, YouTube and Facebook, as well as Vimeo.
In her short documentary My 2020, which will be available free of charge on nfb.ca as of April 10, adventure filmmaker Sarah McNair-Landry travels from Nunavut to Idaho to create a fascinating travelogue, combining extreme sports and breathtaking Arctic landscapes.
Danielle Sturk tackles the grim and, sadly, all-too-common reality of sexual violence against teens by boldly asking: Why?
As part of its commitment to equity, diversity and inclusion, the National Film Board of Canada (NFB) recognizes the need for accurate data to ensure equitable representation of voices that have been historically marginalized, underrepresented and misrepresented in the film industry.
The Hot Docs Canadian International Documentary Festival is featuring two National Film Board of Canada (NFB) documentaries at its 30th edition, which will take place in-person in Toronto and online across Canada from April 27 to May 7.
More productions than ever from NFB studios across the country will be available free of charge on nfb.ca in April, including the world premieres of two documentaries: Why? by Danielle Sturk and My 2020 by Sarah McNair-Landry.
The National Film Board of Canada is returning to the Festival Cinéma du monde de Sherbrooke with a strong, diverse lineup of seven productions and co-productions.
Oana Suteu Khintirian’s NFB-produced feature doc Au-delà du papier (Beyond Paper) will open on April 7 at the Cinémathèque Québécoise in Montreal and at Cinéma Le Clap Place Ste-Foy in Quebec City.
On International Women’s Day, the National Film Board of Canada (NFB) is continuing to meet its gender-parity goals, both for the number of productions directed by women and for production budgets allocated to women—seven years after making its initial commitment.
Toronto filmmaker Brian D. Johnson’s vibrant feature-length documentary The Colour of Ink, co-produced by Sphinx Productions and the National Film Board of Canada (NFB), is coming to Canadian cinemas beginning March 23.
Always on the cutting edge of creativity, the National Film Board will be at the REGARD Festival in Saguenay from March 22 to 26, with eight short docs and animated films made by NFB studios across Canada, exploring an array of subjects in a range of styles.