The 2019 DOXA Documentary Film Festival (May 2 to 12, 2019) will feature four powerful National Film Board of Canada (NFB) produced and co-produced documentaries, including major new works by Vancouver filmmakers Baljit Sangra and Paul Émile d’Entremont, as well as BC premieres from Tasha Hubbard and Eric Thiessen.
The NFB’s French Program Documentary Studio, in collaboration with Quebec’s Institut national de l’image et du son (INIS), Réalisatrices Équitables and Femmes du cinéma, de la télévision et des médias numériques (FCTMN), presents the fourth public conversation in Les femmes de métiers, a series that aims to inspire more women to pursue careers in the film industry by sharing the experiences of successful female artists.
Atempo and the National Film Board of Canada (NFB) are delighted to announce at this year’s NAB Show (Las Vegas, April 8-11), that they are renewing their partnership for the next 10 years.
The NFB and ARTE France are launching today the documentary webseries Streamers on the NFB’s YouTube channel and Facebook page.
Ten National Film Board of Canada (NFB) premieres—including five new feature-length documentaries—are part of a landmark year for the NFB and its co-producers at the 2019 Hot Docs Canadian International Documentary Festival, April 25 to May 5, 2019.
On February 20, the National Film Board of Canada (NFB) held the first bilateral meeting of signatories to the Collaboration Agreement for the Development of Arts and Culture in the Francophone Minority Communities of Canada since the agreement was renewed in December 2018 for a period of five years. The NFB has been a signatory to the agreement since 2002.
The world premiere of Loïc Darses’ feature documentary La fin des terres (Where the Land Ends) took place in a packed house of deeply moved viewers on the closing night of the Rendez-vous Québec Cinéma (RVQC). The film will be opening in Quebec City at Cinéma Cartier on Friday, March 22.
The world premiere of Loïc Darses’ feature documentary La fin des terres (Where the Land Ends) took place in a packed house of deeply moved viewers on the closing night of the Rendez-vous Québec Cinéma (RVQC). The film will open in Montreal at the Cinémathèque québécoise on Tuesday, March 12, and the English-subtitled version will begin screening at Cinéma Moderne on Friday, March 22.
On the eve of International Women’s Day, the National Film Board of Canada (NFB) is pleased to announce that it has achieved its gender-parity goals for the number of productions directed by women and for production budgets allocated to women, three years after making its initial commitment.
John Walker’s Assholes: A Theory will have its world premiere at CPH:DOX (Copenhagen International Documentary Film Festival, March 20–31) and its North American premiere as a Special Presentation at the Hot Docs Canadian International Documentary Festival (April 25–May 5).
On March 4, the NFB in collaboration with the UQAM, is launching Clit-me (nfb.ca/clitme), a five-minute mobile interactive game that takes a light-hearted and open approach to female sexual satisfaction.
Three timely and provocative National Film Board of Canada (NFB) feature documentaries are debuting at CPH:DOX (Copenhagen International Documentary Film Festival, March 20–31).
Acclaimed Canadian author Joy Kogawa, Toronto-based design and experience agency Jam3 and the National Film Board of Canada have unveiled East of the Rockies, an interactive augmented reality (AR) app based on true events about life in one of Canada’s Japanese internment camps.
The National Film Board of Canada (NFB) is taking part in the Rendez-vous de la Francophonie (RVF) for the 14th consecutive year. This year’s event runs March 1 to 31 and tackles the theme of cultures in dialogue.
For the 11th consecutive year, the National Film Board of Canada is bringing together acclaimed Canadian filmmakers to create short cinematic tributes to Canadian performing arts legends, as the Governor General’s Performing Arts Awards (GGPAA) gets set to honour laureates at its 27th annual Awards Gala, taking place April 27, 2019, at the National Arts Centre in Ottawa.