Greatly open and attentive to social and human evolution, the Musée de la civilisation presents Head in the Cloud, an exhibition that reveals how the digital revolution is changing multiple aspects of our lives while also redefining the very notions of privacy and work.
Between January and March 2020, Claude Joli-Coeur, the Government Film Commissioner and Chairperson of the National Film Board of Canada (NFB), will be undertaking a series of cross-country consultations with creators and professional associations in the Canadian audiovisual sector, to discuss the issues and priorities that will inform the NFB’s 2020–2023 Strategic Plan.
The National Film Board of Canada (NFB), a leader in auteur animation, is taking part in the 18th Sommets du cinéma d’animation in Montreal from December 3 to 8, 2019, with eight short films that incorporate diverse techniques and explore a variety of themes.
Theodore Ushev's new film, The Physics of Sorrow, had what is most likely the highest attendance ever for a short film at its Sofia premiere on November 17, 2019.
While continuing to screen at festivals across Canada, the NFB-produced feature documentary Standing on the Line (Franchir la ligne) by Paul Émile d’Entremont will have its Quebec premiere in Montreal on Saturday, November 30, at 3 p.m. at Concordia University’s Alexandre-de-Sève Cinema, in its original English and French version with French subtitles. The screening will be attended by the filmmaker and one of the film’s subjects, former hockey player Brock McGillis. Standing on the Line is part of this year’s lineup for the city’s LGBTQ+ festival Image+Nation, which runs from November 21 to December 1, 2019.
Four new works including three world premieres by documentary creators from the National Film Board of Canada (NFB) will be featured at the International Documentary Film Festival Amsterdam (IDFA), taking place November 20 to December 1.
The NFB, Canada’s pubic producer, has recently greenlit 10 new productions and co-productions—with new documentary, animation and interactive works getting underway between June and September 2019.
When it comes to progress and queer culture, what have we gained? And what have we lost along the way?
The National Film Board of Canada (NFB) returns to the Festival international du cinéma francophone en Acadie (FICFA) this year with seven productions and co-productions, four of which are documentaries screening in competition.
With venomous social media, resurgent authoritarianism and rampant narcissism threatening to trash civilization as we know it, the time has come for Assholes: A Theory (John Walker Productions/NFB in association with CBC documentary Channel), acclaimed director John Walker’s latest feature doc, opening theatrically in cities across Canada beginning November 13.
Today, Louis-Richard Tremblay, Executive Producer at the National Film Board of Canada’s French Digital Studio in Montreal, announced the appointment of Marie-Pier Gauthier to the position of Producer at the Studio.
The NFB is celebrating International Animation Day (October 28) with a special Animation Week program featuring bold and dazzling new works by animators from across Canada.
The National Film Board of Canada (NFB), the Canadian Film Centre’s Media Lab (CFC Media Lab) and JustFilms | Ford Foundation have come together to launch OPEN IMMERSION II, a documentary VR lab for Indigenous creators.
The National Film Board of Canada (NFB) is back at the Montreal International Documentary Festival (RIDM) with eight productions and co-productions, including six feature-length docs.
Angelina McLeod’s five-part series, Freedom Road, from the Shoal Lake 40 Anishinaabe First Nation, will have its world premiere November 5 at NFB.ca as well as at a free opening night special presentation to kick off the 11th Gimme Some Truth Documentary Festival (November 5 to 10) in Winnipeg.