NFB documentary and animation on display at the Edmonton International Film Festival. Courtney Montour’s Mary Two-Axe Earley: I Am Indian Again, Sheona McDonald’s Into Light and Joanna Quinn and Les Mills’ Affairs of the Art showcased at EIFF.

Three National Film Board of Canada produced and co-produced short films are being featured at the Edmonton International Film Festival (EIFF), with in-person screenings October 1 through 10, and virtual screenings available across Alberta from October 4 at 9 a.m. to October 31 at 9 p.m.

Four National Film Board of Canada works featured at the 2021 Calgary International Film Festival. Elle-Máijá Tailfeathers’ acclaimed feature doc Kímmapiiyipitssini: The Meaning of Empathy from the Kainai First Nation in southern Alberta, as well as three new NFB shorts.

The 2021 Calgary International Film Festival (September 23–October 3) will present a powerful story of hope and change from the Kainai First Nation in southern Alberta, as Elle-Máijá Tailfeathers’ award-winning feature documentary Kímmapiiyipitssini: The Meaning of Empathy (Seen Through Woman Productions/National Film Board of Canada) has its Alberta premiere as part of the DGC Canadian Doc Competition.

National Film Board of Canada acquires global distribution rights for acclaimed Rezolution/NFB co-pro Reel Injun. Film will be featured at brand new Academy Museum of Motion Pictures in Los Angeles.

The National Film Board of Canada (NFB) and Rezolution Pictures International have announced that the NFB has acquired international distribution rights for their acclaimed 2009 co-produced feature documentary, the Gemini and Peabody Award-winning Reel Injun, directed by Cree filmmaker Neil Diamond, Catherine Bainbridge and Jeremiah Hayes.

The National Film Board of Canada pays tribute to master animator Jacques Drouin.

The National Film Board of Canada is grieved to learn of the death of filmmaker Jacques Drouin, an outstanding animator and skilled picture editor. Over the course of his 30-plus years with the NFB, he created six unique and poetic films, including the now classic Mindscape (1976). Drouin’s work is inextricably linked to the Alexeieff–Parker pinscreen, a legendary tool in the history of animated film.

TIFF 2021 features world premieres of NFB short films Honour to Senator Murray Sinclair by Alanis Obomsawin, Meneath: The Hidden Island of Ethics by Terril Calder and Saturday Night by Rosana Matecki. Ms. Obomsawin’s legendary career celebrated with the Jeff Skoll Award and a special retrospective.

TIFF 2021 features world premieres of NFB short films Honour to Senator Murray Sinclair by Alanis Obomsawin, Meneath: The Hidden Island of Ethics by Terril Calder and Saturday Night by Rosana Matecki. Ms. Obomsawin’s legendary career celebrated with the Jeff Skoll Award and a special retrospective.

Co-presented with the Montreal Black Film Festival. Michèle Stephenson’s award-winning Hispaniola Productions/NFB co-production Stateless opens August 20 in Montreal at the Cinéma du Parc and Cinéma du Musée. National online theatrical debut September 3 on Online Cinema.

Opening August 20 in Montreal, acclaimed Haitian-Quebec filmmaker Michèle Stephenson’s Hispaniola Productions/National Film Board of Canada (NFB) co-production Stateless reveals the racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic, through the grassroots campaign of young attorney Rosa Iris as she challenges electoral corruption and fights to protect the right to citizenship for all people.

Two NFB shorts screening at the 2021 Fantasia film festival. Richard Suicide’s Centre-Sud Chronicles and Samuel Cantin’s The Turtle Syndrome will have their world premieres in competition at the festival.

The National Film Board of Canada returns to Montreal’s Fantasia International Film Festival with the world premieres of two hilarious and highly entertaining films by award-winning Quebec graphic novelists: Chroniques du Centre-Sud (Centre-Sud Chronicles), by Richard Suicide, and Le syndrome de la tortue (The Turtle Syndrome), by Samuel Cantin.