Attiya Khan and Lawrence Jackman’s powerful documentary A Better Man screens June 9–21 at the Hot Docs Ted Rogers Cinema. Intervention Productions/NFB feature chronicles a remarkable journey of healing for both a survivor of abuse and her former abuser.

After selling out multiple screenings and igniting crucial discussion about gender-based violence and restorative justice at this year’s Hot Docs festival, Attiya Khan and Lawrence Jackman’s feature documentary A Better Man (Intervention Productions/National Film Board of Canada) returns with a theatrical engagement at the Hot Docs Ted Rogers Cinema, June 9–21. Khan and Jackman will attend three Q&As during the film’s opening weekend, on Friday, June 9, at 6:30 p.m., Saturday, June 10, at 6:30 p.m. and Sunday, June 11, at 8:45 p.m. (See complete schedule below or visit the Hot Docs Ted Rogers Cinema website.)

Karim Ben Khelifa’s The Enemy has world premiere in Paris on May 18, followed by international tour with stops in Boston (MIT) and Montreal.

With The Enemy, internationally acclaimed photojournalist Karim Ben Khelifa steps up his quest to change people’s attitudes toward armed conflicts, violence, and the suffering they produce. This virtual-reality experience puts a human face on armed fighters, dropping audiences squarely into the combat zones of long-standing conflicts. The Enemy will have its world premiere at the Institut du monde arabe in Paris, from May 18 to June 4, followed by its North American premiere in Boston (October to December 2017) and its Canadian premiere in Montreal (winter 2018). Ben Khelifa will also go on a Canadian media tour, and the project’s augmented- and mixed-reality app will be accessible worldwide starting in summer 2017. The international co-production uses unprecedented, powerful encounters with combatants from opposing camps to show that both sides are in fact more alike than different. The Enemy is co-produced by Camera Lucida Productions, France Télévisions, the NFB, Dpt. and Emissive.

An NFB/ARTE France co-production. Real-time doc experience Streamers, about the Twitch.tv phenomenon, now filming until the end of June. Over the next two months, the Streamers creative team will be recording live encounters between North American and European participants on Twitch, the popular social video platform for gamers that attracts 9.7 million daily users, producing a series of episodes for a documentary launching in fall 2017.

With Streamers, the National Film Board of Canada and ARTE France continue to explore new ways of telling stories using new technologies and platforms. This real-time documentary experience, filming every week until the end of June, will form the basis of a collaborative documentary launching in fall 2017. Through the prism of video game and streaming platform Twitch.tv, Streamers examines the desire to be part of something greater than oneself in today’s hyper-connected era. Eight to 10 episodes in English or French, featuring 32 Twitch users from North America and Europe as well as the communities that follow them, will be live-streamed on twitch.tv/streamersdoc. In keeping with the spirit of Twitch, the Streamers creative team will be taking an open, collaborative and real-time approach to exploring streaming—how it works as well as its limitations—and attempt to reveal the impact it can have on human relationships.

Roger Parent’s NFB doc From Sherbrooke to Brooks wins People’s Choice/Special Jury award at 2017 Festival Vues d’Afrique.

From Sherbrooke to Brooks, Roger Parent’s debut feature-length documentary, has taken the People’s Choice/Special Jury Award in the Regard d’ici section of the 2017 Festival international de cinéma Vues d’Afrique in Montreal. Produced at the NFB’s Canadian Francophonie Studio by Dominic Desjardins in collaboration with UNIS TV, the film tells the story of the migration corridor between Quebec and Alberta travelled by French-speaking African refugees, who are trapped between the fragility of their dreams and the harsh constraints of reality.

NFB and UQAM announce names of participants in Jeunes Pousses interactive apprenticeship program as well as artists who will lead master classes, including Vincent Morisset (AATOAA), Simon Coutu (VICE), Raphaëlle Huysmans (URBANIA), and Maude Thibodeau (Dpt.)

The National Film Board of Canada (NFB) and the Université du Québec à Montréal (UQAM) have revealed the names of the eight apprentices who will be taking part in the Jeune Pousses interactive program, following a call for applications that went out in November 2016. This new nine-week apprenticeship (April 25 to June 21, 2017) will give students from a variety of UQAM programs the chance to work together at the NFB’s Interactive Studio, under the guidance of executive producer Hugues Sweeney, where they’ll create an audio project that will be launched when the apprenticeship is over. In addition to benefiting from a multidisciplinary experience in a real production environment, participants will attend master classes led by acclaimed artists and professionals from various fields.

Santiago Bertolino’s Freelancer on the Front Lines gets special screening at Cinémathèque québécoise on May 3. Screening marking World Press Freedom Day was organized by NFB and UQAM’s École des médias and will be followed by a discussion.

On Wednesday, May 3, at 7 p.m. at the Cinémathèque québécoise, the public is invited to a special screening of Santiago Bertolino’s feature documentary Freelancer on the Front Lines / Un journaliste au front (NFB), followed by a discussion to mark World Press Freedom Day. The event was organized by the NFB in close collaboration with UQAM’s École des médias, and guest speakers will include the film’s director, Santiago Bertolino, and UQAM journalism professor Guillaume Lavallée, author of Drone de guerre: Visages du Pakistan dans la tourmente. The discussion will be hosted by André Lavoie, Le Devoir film critic and freelance journalist. After the screening, the film will continue its theatrical run in Montreal at the Cinémathèque québécoise and will also be playing at the Cinéma Le Clap in Quebec City starting May 3.

NFB VR innovation and powerful documentaries on display at Edmonton’s NorthwestFest. Includes an interactive VR experience by Edmonton’s Tyler Enfield, Galen Scorer and Bonnie Thompson; Julia Ivanova’s feature doc on Fort McMurray; and an award-winning North West Studio short doc by Katherena Vermette and Erika MacPherson.

The lineup of National Film Board of Canada titles at Edmonton’s NorthwestFest (May 5–14, 2017) features local productions, stories and innovation, with an interactive VR experience as well as three powerful documentary films.

An official event in the programming lineup for Montreal’s 375th celebrations, in partnership with Place des Arts. NFB unveils Expo 67 Live, a remarkable, immersive voyage into the heart of a unique event in our city’s history.

The National Film Board of Canada, in partnership with Place des Arts and the Society for the Celebrations of Montréal’s 375th Anniversary, is unveiling a remarkable project commemorating the 50th anniversary of the Montreal World’s Fair: a free, immersive experience called Expo 67 Live. This journey through the greatest moments of Expo 67 will take place every evening, from September 18 to 30, 2017, at the Place des Arts Esplanade. Created by multi-disciplinary artist K (Karine Lanoie-Brien), Expo 67 Live was produced at the NFB by executive producer René Chénier. Radio-Canada is also a partner in the event.

Matthew Rankin’s THE TESLA WORLD LIGHT (NFB) selected to premiere at the Cannes Film Festival’s International Critics’ Week

Matthew Rankin’s animated film THE TESLA WORLD LIGHT, produced at the National Film Board of Canada by Julie Roy, will have its world premiere at the 56th International Critics’ Week, a parallel section of the Cannes Film Festival organized by the French Syndicate of Film Critics. Rankin’s film will be one of 10 short films competing at the prestigious international event, which takes place May 18 to 26, 2017.

WORLD PREMIERE OF DRAW ME CLOSE AT TRIBECA FILM FESTIVAL An emotional, immersive audience experience performed live with motion capture and VR. Written and directed by Jordan Tannahill, co-produced by the NFB and the National Theatre.

Launching April 21 at Tribeca Film Festival’s Storyscapes, Draw Me Close blurs the worlds of live performance, virtual reality and animation to create a vivid memoir about the relationship between a mother and her son in the wake of her terminal-cancer diagnosis. Weaving theatrical storytelling with cutting-edge technology, the project takes a deceptively simple and humanistic approach to the immersive medium: it allows the audience member to experience life as five-year-old Jordan, inside a live, animated world.

To help mark #Canada150, NFB’s What We Protect explores what we strive to defend as Canadians. Now online, second installment of 1 Nation. 4 Lenses includes a special film playlist on environmental issues to mark Earth Day, April 22.

We stand on guard for thee. These are the words that ring through the air at the end of our national anthem. It’s also the inspiration for What We Protect, the latest installment of the National Film Board of Canada’s 1 Nation. 4 Lenses, part of its special online programming for the 150th anniversary of Confederation (#Canada150).