Following her university studies in communication and film, Johanne Bergeron embarked on a career in the private sector. During a successful stint at Vent d’Est Films from 1992 to 1999, she produced such films as La République des Beaux-Arts – La Malédiction de la momie / The Republic of Fine Arts – The Curse of the Mummy (1998) by Claude Laflamme and Les survivants de l’apocalypse (1998) by the late Richard Boutet.
In 1999, she joined the National Film Board of Canada’s French Program as a line producer, working in close collaboration with producers Nicole Lamothe and Yves Bisaillon. She was subsequently put in charge of national and international co-productions and was appointed to the position of producer in 2007. In 2009, she joined the Quebec Studio where she continues to develop documentary film projects. Over the years, she has produced a number of films, including Junior (I. Lavigne and S. Thibault, 2007; Best Canadian Feature Documentary award, Hot Docs), Shots in the Dark (L. Moreco, 2008), The Battle of Rabaska (M. Duckworth and M. Isacsson, 2009), The Coca-Cola Case (G. Gutierrez and C. Garcia, 2009), They Think I’m Chinese! (N. Giguère, 2011) and, more recently, Triptych (R. Lepage and P. Pires, 2013) and Guidelines (J.-F. Caissy, 2014), which has been screened the world over, from Berlin to New York.
For the 75th anniversary of the NFB, Bergeron produced the content for the Making Movie History: A Portrait in 61 Parts website (D. Desjardins and J. Robertson), which went online in 2014, as well as The Red Path by Thérèse Ottawa, the first film resulting from the Tremplin NIKANIK competition.
Since 2008, Bergeron has also been responsible for the ACIC (Aide au cinéma indépendant – Canada) Unit, which provides support to many filmmakers year after year, enabling them to complete their films. They Dance at Night (I. Lavigne and S. Thibault, 2012), The Sower (J. Perron, 2014) and The Work of Days (B. Baillargeon, 2014) are eloquent examples that have been acclaimed at festivals.
In addition to serving on the board of the Montreal International Documentary Festival (RIDM) from 2002 to 2006, Bergeron expanded the partnership between the NFB and the René-Malo Chair at UQAM through the creation of a competition for most promising documentary filmmaker in 2010. In 2014, she brought the NFB, SODEC and the Conseil des arts de Montréal together to launch the Regard sur Montréal residency for culturally diverse emerging filmmakers.