LOCA
Véronique Paquette
2024
| 5 min
Animation using mixed techniques incorporating digital 2D animation and ink animation on paper and glass
English version
Awards and Festivals
Special Programme: Choreographies: Animation and Dance Annecy International Animation Film Festival, France (2024)
Official Canadian CompetitionSommets du cinéma d'animation, Montréal, Canada (2024)
Official Selection Ottawa International Animation Festival, Canada (2024)
Official Selection Edmonton International Film Festival, Canada (2024)
Official Selection Flickers Rhode Island International Film Festival, U.S.A. (2024)
Official Selection- Special mention Animated Painting AwardAnimaphix International Animated Film Festival, Italy (2024)
Official International Short Film CompetitionEspinho International Animated Film Festival / CINANIMA, Portugal (2024)
Official SelectionNew York City Short Film Festival, U.S.A. (2024)
Official SelectionSweaty Eyeballs Animation Festival, Baltimore, United States (2024)
Official SelectionManchester Animation Festival, England (2024)
Official SelectionUppsala Short Film Festival, Sweden (2024)
Official SelectionWhistler Film Festival, Canada (2024)
Official SelectionLos Angeles Animation Festival, California (2024)
A National Film Board of Canada Production
A female silhouette, sketched with fine white lines, disintegrates. A few bars ring out from “Loca”—a classic tune from the golden age of Argentinean tango.
The spellbinding music sweeps the woman into a dance. As she whirls, a duo forms, their bodies intertwined in black and white. Their complete abandonment to the music is expressed in abundant waves of ink, creating a mesmerizing visual spectacle.
Synopses
Long synopsis
A female silhouette, sketched with fine white lines, disintegrates. A few bars of “Loca”—a classic tune from the golden age of Argentinean tango—ring out. The spellbinding music sweeps the woman into a dance. As she whirls, a duo forms, their bodies intertwined in black-and-white geometric fusion. Their complete abandonment to the music is expressed in abundant waves of ink, creating a mesmerizing visual performance.
With a mastery of both dance and animation, Véronique Paquette channels the essence of tango through evocative imagery of bodies that are equally furtive and powerful. We feel a sense of energy unfolding in these spontaneous movements, and the outpourings of a soul in the process of rebuilding itself. Paquette artfully marries traditional and digital techniques, using a palette knife to turn ink on paper into a liberating dance, opening the way to a world of infinite possibilities.
Two-liner
Through the energy of tango, a woman finds a path to freedom. A mesmerizing visual performance created with waves of ink and black-and-white geometric shapes.
One-liner
A woman finds the path to freedom through the energy of tango.
Director's Statement
Argentinean tango came into my life 20 years ago, at the same time as animation. Very quickly, I clued in to the multisensory and multidimensional aspects of this dance. Tango is a special world, an intersection of bodily interaction and identity-shaping imagination.
The two art forms developed and evolved in parallel in my life. Each has allowed me to question myself at different times. Each has been a school, a prison, a liberating force, a jungle, a home. As I gradually became proficient in one and the other, this organically led me to want to express myself more freely, to create. That emerging need gave rise to a new quest: to deconstruct what I knew and reconstruct it in my image, through a work combining animation and tango.
I’ve always seen Argentinean tango as a dance that forces us to confront our vulnerability and delve into our innermost selves. In creating LOCA, to approach the tango from a personal perspective and convey to the audience the movement, energy and profound connections within me, I made ink applied with a palette knife my ally. That process allowed spontaneous, lively gestures to prevail over precision and control, and the result was more intuitive, a purer form of expression. So this dancing ink manifested a pulse, an unmistakable geometry, a new breath.
I worked very closely with a choreographer and a duo of tangueros, shooting reference images that prompted me to update my script. From those motion captures, I then distilled the essential movements and interpreted them freely. Everything—from the play of angles and curves to the interpretation of the music, the decision to use black and white and the choice of techniques—was meant to convey the inner experience of the female character.
For the danced portion, I was determined to use a classical piece that every tango dancer would recognize, and with which they would already have a certain emotional affinity. Superimposed on my inks, Juan d’Arienzo’s “Loca” was a revelation, in its rhythms, its title as well as its beat. In light of the prominent role given to the bandoneón (an iconic instrument in tango) in the piece, I also decided to work with a bandoneón-ist. The instrument was integral to the sound-design process for the film, from the sound effects to the original music used at the end, like a breath of life accompanying the character throughout her quest.
This short film is both an homage to the tango of Argentina and an invitation to heed our intuition, our natural movement.
Trailer
Excerpt
Poster
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Team
Véronique Paquette
Filmmaker
Photo
Photo : Guillaume Regaudie
Christine Noël
Producer and Executive Producer (NFB)
Photo
Photo : Valérie Sangin
Marc Bertrand
Producer (NFB)
Photo
Photo : Valérie Sangin
Credits
Written, Animated and Directed by
Véronique Paquette
A film based on the musical piece LOCA
Composed by Manuel Jovés Torras and written by
Antonio Martínez Viérgol Performed by Los Solistas
From the album Homenaje a Juan D’Arienzo
por Los Ex Integrantes de su orchestra Los Solistas
Permission granted by Facundo Lazzari
and Pablo Damián Santicusanio
Production
Christine Noël
Marc Bertrand
Executive producers
Christine Noël
Julie Roy
Sound Designer
Stéphanie Hamelin Tomala
Musical Composition and Bandoneon
Mélanie Bergeron
Voice
Miranda Nisenson
Choreography
Marika Landry
Performed by
Leïla Afriat
Francis Cloutier
Director of Photography
Stéphanie Weber Biron
Lighting
Christian Mouzard
Additional Performance
Extract from Movie Chords – 60 x 60 2020 Concordia University
Interpreted by Marie-Maxime Ross & Choreography by Mohammadreza Akrami
Editing
Philippe Lefebvre
Infography
Melrouss
Marie-Noëlle Moreau Robidas
Cynthia Ouellet
Consultants
Nicolas Brault
Alexia Bürger
Claude Cloutier
Marika Landry
Jean-François Lévesque
Janice Nadeau
Voice Director
Mélanie S. Dubois
Foley
Sam Mongeau
Sound Recording
Luc Léger
Geoffrey Mitchell
Sound Technician
Bernard Belley
Re-recording Mixer
Jean Paul Vialard
Online Editing
Yannick Carrier
Technical Coordinators
Lyne Lapointe
Mira Mailhot
Esther Viragh
Translators
Juan Castro
Sonia Derome
Technical Directors
Eric Pouliot
Technical Specialist, Animation
Yannick Grandmont
Studio Coordinators
Rose Mercier-Marcotte
Laetitia Seguin
Administrators
Karine Desmeules
Senior Production Coordinators
Josiane Bernardin
Camila Blos
Legal Counsel
Peter Kallianiotis
Rights Clearance Research
Sylvia Mezei
Marketing
Judith Lessard-Bérubé
Publicist
Nadine Viau
Producers
Marc Bertrand
Christine Noël
Associate Producer
Anik Magny
Line Producers
Mylène Augustin
Mélanie Boudreau Blanchard
Anne-Marie Bousquet
Executive Producers
Christine Noël
Julie Roy
LOCA
Animation Studio, French Program
National Film Board of Canada
© 2024 National Film Board of Canada
Media Relations
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About the NFB
Founded in 1939, the National Film Board of Canada (NFB) is a one-of-a-kind producer, co-producer and distributor of distinctive, engaging, relevant and innovative documentary and animated films. As a talent incubator, it is one of the world’s leading creative centres. The NFB has enabled Canadians to tell and hear each other’s stories for over eight decades, and its films are a reliable and accessible educational resource. The NFB is also recognized around the world for its expertise in preservation and conservation, and for its rich and vibrant collection of works, which form a pillar of Canada’s cultural heritage. To date, the NFB has produced more than 14,000 works, 6,500 of which can be streamed free of charge at nfb.ca. The NFB and its productions and co-productions have earned over 7,000 awards, including 11 Oscars and an Honorary Academy Award for overall excellence in cinema.