Into the Light
Gentille M. Assih
| 79 min 46 s
Original French version with English subtitles
Into the Light features the liberating life stories and powerful words of inspiring Quebec women of African origin who’ve regained control over their lives after suffering from domestic violence. The film transcends prejudice and breaks the silence, pulling back the curtain on a poorly understood, hidden world, while testifying to the tremendous power that comes from overcoming isolation and accepting one’s self. It’s a luminous dive into the quest for personal healing and universal humanity. This is Togo-born director Gentille M. Assih’s third documentary.
Into the Light brings us the liberating life stories and powerful words of inspiring Quebec women, originally from West Africa, who’ve regained control of their lives after being subjected to domestic violence. The documentary compassionately explores the challenges of immigration while looking past cultural differences to tackle an issue that exists in every corner of the globe. It is a luminous dive into the quest for personal healing, a quest that’s sustained by sharing and friendship.
The film follows Christiane, a high school French teacher, and her friend Aïssata, who works in finance. They had no clue that the process of immigrating to Canada and integrating into a new culture would contribute to the breakup of their families, which fractured as a result of domestic violence. Along the way, we meet Chouchou and her husband, a younger couple who’ve recently arrived in Canada; an imam; a pastor; an African motivational speaker; friends who had no idea what they were going through; a doctor; and even Christiane’s father in her country of origin, Togo. As we meet the people around them, we come to understand the depths and complexity of their experience, and the courage it takes to reclaim control of their lives.
Gentille M. Assih’s close relationship and bond of trust with the film’s protagonists yield an authentic look at the life stories of these strong, proud women—stories that are rarely heard. Their words carry the film, eloquently exposing the mechanisms of domestic violence, which transcend cultural boundaries. Capturing a side of Montreal that will be unfamiliar to most viewers, the film contains revelations that shatter the silence and show how challenging it can be for immigrants to reconcile their culture of origin with that of their new home, and the gulf that can divide a couple as a result. Exploring a difficult subject with sensitivity and tact, Into the Light bridges cultures and testifies to the tremendous power that comes from overcoming isolation. It is this power that makes it possible to speak words that bring with them release, healing, and the ability to create a better tomorrow for future generations. Into the Light is a film filled with hope.
We already know that intimate partner violence is rampant in Quebec and the rest of Canada.
Through reading, through conversation, and by listening to women, I came to realize that the cyclical nature of conjugal violence and the trauma it entails are quite similar for all victims, regardless of their country of origin. Nevertheless, my experience and that of immigrants like Christiane Zanou led me to realize that immigration is an aggravating factor.
Sharing Christiane Zanou’s story is a way for me to show that this problem exists. Since her separation, Christiane hadn’t spoken about the trauma she’d suffered in her own home. She was in denial for a long time about having been a victim of domestic violence. But Christiane and I recognized that she needed to talk about her experience so that she could become free to move on to a new chapter in her life.
One day, I got some voice messages. Her voice filled with sadness, Christiane was finally breaking her silence: “My relationship with my ex is over. I’ve managed to put an end to all these years of abuse, of domestic violence…. I realize now how much damage has been done. All those years of violence… it wears you out…” She had trouble finishing her sentences and getting the words out. I could feel the huge effort she had to make to speak. I was extremely moved and relieved at the same time, because Christiane had succeeded in breaking through the barrier that had prevented her from starting to heal.
I had recently introduced her to Aïssata, a former neighbour who was also a victim of intimate partner violence. Knowing that there were other women still living through this hell motivated Christiane to go beyond her comfort zone. Aïssata gave her the strength to act. Christiane later convinced Aïssata to participate in the film. While they have different religions, both women received practically the same education. They both grew up in Ivory Coast and share the same language references. They are well-educated and speak French impeccably. They also speak Ivorian French, which is sometimes better suited for expressing certain things.
Thanks to Aïssata, Christiane realized that her experience could serve to help other immigrants get out of similar situations and break the chain of conjugal violence. She also wanted to warn newcomers like Chouchou, who’s also in the film. Going from feeling alone to assisting others has helped enormously with her own healing journey.
I spent a lot of time with Christiane and Aïssata to grasp their motivations for making this film. I understood that they don’t want others speaking for them anymore. Their comments are not about complaining. They are discerning enough to not fall into the trap of being seen as frustrated women who are complaining. Through discussions and interviews, we come to clearly understand how the process of manipulation works. With startling clarity, they analyze the reasons conjugal violence is so widespread within the West African immigrant community. By following their journey, through which they retake control of their lives, we see just how capable they are, and watch as they lead by example.
Information about family violence in Canada: canada.ca
Article on domestic violence in Canada: macleans.ca
Help resource: canada.ca
Gentille M. Assih
Photo : Nicolas Nault
Gentille M. Assih
Writer-director Gentille M. Assih received university training in communications and human resources before studying writing and documentary filmmaking. She earned her master’s in film from UQAM in 2013.
In 2009, she directed her first documentary, Itchombi, produced by Ardèche Images Production. That same year, she produced and directed the short drama Bidenam, l’espoir d’un village with the support of the Goethe Institute of Johannesburg; the film won the Jury Prize at the Vues d’Afrique International Film Festival in Montreal. In 2010, she made the documentary Akpéma, which laid the groundwork for Le rite, la folle et moi (The Rite, the Madwoman and Me). This film tells the story of a family secret that’s passed on, exploring the weight of tradition and the complexity of African cultures. Released in 2012, Le rite, la folle et moi won numerous awards, including the audience choice award for best documentary film at the Festival Cinémas d’Afrique d’Angers in France.
In her work, Assih turns an intimate lens on her subjects and fearlessly shines a light on taboo topics. While her camera remains unflinchingly focused on social issues and injustices, her sensitive writing conveys a distinctly positive vision of humanity.
Producer and Executive Producer
Photo : Liam Valdès
In 2018, after 15 years at the NFB, Nathalie Cloutier was appointed Executive Producer of the French Program’s Documentary Studio. She has always championed a flexible creative process and supported a diverse group of auteurs, an approach that has yielded a number of bold endeavours. At the NFB, she’s produced several interactive projects, including Here at Home: In Search of the Real Cost of Homelessness, a multi-award-winning website about homelessness, and The Hole Story Interactive, a website that accompanied the feature-length doc of the same name by Richard Desjardins and Robert Monderie. In addition to her work on interactive productions, Nathalie has produced and co-produced numerous feature-length documentaries that have garnered attention both in Canada and internationally. They include The Amina Profile by Sophie Deraspe (Sundance 2015), Gulîstan, Land of Roses by Zaynê Akyol (Doc Alliance Selection Award, Locarno 2016), Freelancer on the Front Lines by Santiago Bertolino (closing film at RIDM 2016), and A Delicate Balance by Christine Chevarie-Lessard (Women Inmates’ Award, RIDM 2018). She also produced Waseskun, by Steve Patry, a Best Feature Length Documentary nominee at the 2017 Canadian Screen Awards. In collaboration with Nadagam Films of Val d’Or, in Quebec’s Abitibi-Témiscamingue region, in 2018 she launched the 5 Shorts Project, for which five local female directors each made a very short documentary for the web. Her most recent productions are Kenbe La: Jusqu’à la Victoire by Will Prosper, Le fond de l’air by Simon Beaulieu and Far from Bashar by Pascal Sanchez.
Nathalie Cloutier first came to work at the NFB as a production coordinator in 2003. After completing the documentary program at the Institut national de l’image et du son (INIS) in Montreal, she returned to the NFB as a producer at the Documentary Studio in 2010. Earlier in her career, she studied arts and literature and collaborated on several theatrical productions. Her experience directing short films for the 1998–1999 season of the Radio-Canada television program Course destination monde inspired her to pursue a career in film.
Photo : NFB
Colette Loumède began her career at the Coop Vidéo de Montréal, a group that’s had a significant impact on Quebec cinema. Alongside Robert Morin, Lorraine Dufour, Jean-Pierre St-Louis, Louis Bélanger and others, she learned about every aspect of the film industry long before becoming the veteran producer she is today.
Currently working at the French Program Documentary Studio at the National Film Board of Canada (NFB), Loumède is known for producing documentaries that stand out for both their subject matter and artistry. The films she’s produced have screened at many of the world’s top festivals, including Hot Docs, CPH-Dox, the International Documentary Film Festival Amsterdam (IDFA), the Berlin International Film Festival, the Rotterdam film festival, Visions du réel, Sundance, and the Rencontres internationales du documentaire de Montréal (RIDM).
Loumède’s work is driven by a desire to produce work with meaningful content directed by auteurs who tackle the important issues of the day. She’s worked with Luc Bourdon, Jean-Claude Labrecque, Serge Giguère, Richard Desjardins, Patricio Henriquez, Hugo Latulippe, Paule Baillargeon, Céline Baril, Benoît Pilon, Carole Laganière, Zaynê Akyol, Claude Demers, Jean-François Caissy and many other contemporary Quebec directors.
Over the course of her career, Loumède has collaborated with a wide range of groups and people. She was responsible for analyzing documentary projects for SODEC, Quebec’s public film-financing body, and founded and led the documentary program at the Institut national de l’image et du son de Montréal (INIS), Quebec’s foremost professional cinema training institute. She is actively involved with the Documentary Network, RIDM and other festivals across multiple genres, and has regularly served on panels, juries, and many domestic and international platforms devoted to promoting auteur documentary.
The beautiful promotional elements have been designed by Leona Carthy : instagram.com/art_by_leoart
With the participation of
Christiane Eméssé Kafui Zanou
Chouchou Pyalo Assih
Researched, Written and Directed by
Gentille Menguizani Assih
Director of Photography
Additional Sound Recording
Production Assistant – Togo
Technical Support – Editing
Translation and Subtitling
Online Editing and Colourization
Jean Paul Vialard
“Elle n’a pas vu”
Composed and performed by Charlotte Dipanda
“Chéri ton disque est rayé”
Composed and performed by Patience Dabany
“Quelqu’un laisse quelqu’un prend”
Composed by Wilfried Privat Tetchi Ossohou, Stéphane Eric Tetchi Akpe, Yannick Martial Kouassi, Jean Luc Hervé Yoman Yoro
Performed by Bénédiction
Music Copyright Clearance
Dr. Célestin Badjagbo Koffi
Thanks also to
Rachel Isidkenu Gbadamassi
Patron Mandjadéou Assih
Embassy of the Togolese Republic in Canada
Direction nationale de la cinématographie du Togo
Garderie Les Libellules
Paroisse Sacré-Cœur Junior de Tokoin Est à Lomé
About the NFB
The NFB is Canada’s public producer of award-winning creative documentaries, auteur animation, interactive stories and participatory experiences. NFB producers are embedded in communities across the country, from St. John’s to Vancouver, working with talented creators on innovative and socially relevant projects. The NFB is a leader in gender equity in film and digital media production, and is working to strengthen Indigenous-led production, guided by the recommendations of Canada’s Truth and Reconciliation Commission. NFB productions have won over 7,000 awards, including 27 Canadian Screen Awards, 21 Webbys, 12 Oscars and more than 100 Genies. To access this award-winning content and discover the work of NFB creators, visit NFB.ca, download its apps for mobile devices or visit NFB Pause.