Imprint
Encrage
Duncan Major
2025
| 5 min
Letterpress animation, watercolour painting, cut-outs and photography
Awards and Festivals
Official SelectionAnn Arbor Film Festival, Michigan, United States (2025)
Official Selection – Canadian CompetitionSommets du cinéma d'animation, Montreal, Canada (2025)
A National Film Board of Canada production
Chance encounters can leave a lasting imprint, like ink on paper. At 13, Duncan Major met artist Tara Bryan and discovered a shared passion for letterpress printing that shaped his life. In her memory, Duncan created Imprint, a poetic animated film that serves as a heartfelt tribute. Using the letterpress and craft material she passed down to him, the film brings hand-printed art to life with vibrant animation, evocative imagery and a beautifully designed soundscape. Imprint celebrates how the relationships we build echo outward, leaving an enduring legacy.
Trailer
Poster
ONE-LINER
Chance encounters can leave a lasting effect, like ink on paper. Imprint is a heartfelt animated short about the lasting creative bond between two kindred spirits.
Long Synopsis
Chance encounters can leave an enduring mark, much like ink on paper. At 13, Duncan Major took a summer job as a printer’s devil. This apprenticeship with artist Tara Bryan awakened a passion for letterpress printing that would shape his life. Years later, in her memory, Duncan has created Imprint—a poetic, handmade animated film that serves as a heartfelt tribute of gratitude and farewell. The film captures the enduring bond between mentor and mentee, inviting viewers to reflect upon the bittersweet joy of cherished moments, even in the face of loss. Using the letterpress and craft material she passed down to him, Duncan brings hand-printed art to life with vibrant animation. The film is an homage to tactile materials and the surprises of the creative process, blending evocative imagery with a beautifully crafted soundtrack. At its core, Imprint reminds us that art is not just what we create, but also the lasting influence we leave on those who follow in our footsteps.
Director’s Statement
When I was 13, I spent the summer working as a printer’s devil for a book artist. In a jumbled studio filled with books, ink, paper, paint and printing equipment, my employer—Tara Tidwell Bryan—was to make a profound and lasting impression on me. That summer, and throughout my teens, she taught me how to print on her vintage hand-operated presses, setting type one tiny metal letter at a time, carefully assembling her ingenious tunnel, accordion and jack-in-the-box books while we listened to CDs. We had a passion for hands-on creativity in common, and as I went on to embark on a career, start a family and establish a printshop of my own, she remained a best friend and constant mentor on whom I could always rely for knowledge and inspiration.
In 2020, when she was 66, a serious illness unexpectedly dimmed, and eventually extinguished, her bright light. With COVID preventing visits, she was sending friends cheerful daily sketches from her hospital ward.
Imprint is dedicated to Tara. Using the printing equipment she left me as an instrument for animation, I wanted to express the affection we shared for working by hand, for the creative process and for words and letters. I wanted to express the heartache of losing a north star. And in the aftermath of our inexplicable bond being pulled apart, I wanted to ask: When someone is suddenly gone from your life, in what ways are they still present?
One of the things I learned from Tara was the value of play as a creative tactic. My team and I took advantage of experimentation at every stage of the film’s production, involving our sound designer Romesh from very early on, opting for a structure inspired by symphonic movements, and mixing media. I’m grateful to the National Film Board and my family for supporting this process-driven approach.
Tara had a knack for switching on a light in people curious about art. I can only hope that this film can carry forward some of that magic.
Duncan Major
Tara Bryan, the artist

Photo credit: Ned Pratt.
Born in Texas, Tara Bryan (1953–2020) was a beloved figure in both the Newfoundland and Labrador and the international arts communities, renowned for her vibrant career and imaginative works. Whether in paint or on the page, her art captivated viewers and invited them to see the world anew. Known for her stunning landscape paintings and inventive handmade artists’ books created at her own print shop, walking bird press, Tara inspired others with her collaborative spirit and teaching. Her legacy endures through her art, compassion, wit and unyielding creativity.
Images
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The Process
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Contact NFB publicist for high-resolution images for print.
Team
Duncan Major
Director
Photo
Photo : Duncan Major
Maral Mohammadian
Producer (NFB)
Photo
Photo : © Maral Mohammadian
Rob McLaughlin
Executive Producer
Photo
Photo : Emily Cooper
Credits
Written, Directed & Animated by
Duncan Major
Music & Sound Design
Romesh Thavanathan
Editing
Duncan Major
Xi Feng
Technical Direction
Mathieu Tremblay
Eloi Champagne
Technical Coordination
Luc Binette
Online Editing
Luca Di Gioacchino
Foley
Karla Baumgardner
Foley Recording
Geoffrey Mitchell
Re-recording
Jean Paul Vialard
Line Producer
Laetitia Seguin
Production Coordination
Dominique Forget
Studio Administration
Victoria Angell
Studio Operations Manager
Camille Fillion
Marketing
Geneviève Bérard
Emilie Ryan
Publicist
Nadine Viau
Special thanks
Katie
Valentine & Zelda
George Jenner
Teresa Tidwell
Roger Butler
Annette Clarke
Kelly Davis
Rohan Fernando
Humbert Hardy
Clair Hipditch
James Hurley
Mary Laird
Anne & Kevin Major
Frank Nadeau
Justin Simms
Michael Walsh
François Godin
Elizabeth Klinck
The Robert Frost Copyright Trust
Producer
Maral Mohammadian
Executive Producer
Rob McLaughlin
Imprint
© 2025 National Film Board of Canada
Media Relations
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About the NFB
Founded in 1939, the National Film Board of Canada (NFB) is a one-of-a-kind producer, co-producer and distributor of distinctive, engaging, relevant and innovative documentary and animated films. As a talent incubator, it is one of the world’s leading creative centres. The NFB has enabled Canadians to tell and hear each other’s stories for over eight decades, and its films are a reliable and accessible educational resource. The NFB is also recognized around the world for its expertise in preservation and conservation, and for its rich and vibrant collection of works, which form a pillar of Canada’s cultural heritage. To date, the NFB has produced more than 14,000 works, 6,500 of which can be streamed free of charge at nfb.ca. The NFB and its productions and co-productions have earned over 7,000 awards, including 11 Oscars and an Honorary Academy Award for overall excellence in cinema.