In March 2003, the United States and a coalition of allies invaded Iraq, in the name of democracy and to avenge the attacks of September 11, 2001. This illegal intervention caused the downfall of Saddam Hussein, led to chaos in the region, and opened a Pandora’s box of evils whose disastrous consequences are still being felt throughout the Middle East. Canada declined to follow the Bush administration into the bloody conflict. Now, providing a much-needed historical perspective, Claude Guilmain’s High Wire takes us behind the scenes to shine a light on this poorly understood episode, while denouncing the interventionist approach to foreign policy taken by the United States after the end of World War II. Featuring accounts from several key players, the film reminds us of the terrible price we pay when diplomacy fails.
ONE LINER
In 2003, Canada refused to follow the United States in invading Iraq. The film examines the behind-the-scenes tug of war that took place at the time with our neighbours to the south.
SHORT SYNOPSIS
High Wire examines the reasons that Canada declined to take part in the 2003 US-led military mission in Iraq, shining a spotlight on the diplomatic tug of war that took place behind the scenes with our neighbours to the south, who have often adopted an interventionist foreign policy to serve their own economic and geopolitical interests. Canada’s historic refusal could have had disastrous consequences, but a number of key players and other analysts remind us of the terrible price we pay when diplomacy fails.
Once the spotlights have been turned off, the grey areas of a major international news story can sometimes be seen more clearly. In March 2003, the United States and a coalition of allies invaded Iraq, in the name of democracy and to avenge the attacks of September 11, 2001. This illegal intervention caused the downfall of Saddam Hussein and led to chaos in the region. There was also a heavy human toll, especially on the Iraqi side, and the operation opened a Pandora’s box of evils whose disastrous consequences are still being felt throughout the Middle East. At the time, in the absence of any factual evidence that Iraq possessed weapons of mass destruction, Canada declined to join the Bush administration in the bloody conflict. Now, providing a much-needed historical perspective, High Wire takes us behind the scenes to shine a light on this poorly understood episode of our political history.
At a time of such international instability, what was behind Canada’s decision not to join the military coalition? The film traces the timeline of events and uses testimony from several key players to document the tug of war that unfolded with our neighbour to the south. These witnesses include Canada’s ambassador to the UN, Paul Heinbecker, then-Prime Minister Jean Chrétien, and his principal political advisers, Claude Laverdure and Edward Goldenberg. More broadly, High Wire offers the director’s eloquent overview of the state of the world at a turning point in our history.
Other analysts appear in the film to discuss the interventionist approach that dominated US foreign policy after the end of World War II, when a new vision of the world was emerging from the ruins of Nazism and the Cold War with the Soviet Union. Miloud Chennoufi, a professor at Canadian Forces College, recalls that the United States began to prioritize its economic and geopolitical interests to the detriment of democratic values. Hence its support for a number of dictatorships, either through direct intervention or by means of secret CIA operations such as those in Iran (1953), Guatemala (1954), and Indonesia (1965–66). High Wire examines the war in Iraq as an openly interventionist action by a country that, in constant need of new enemies to feed its military machine, maintained a climate of fear in the public by exploiting threats.
By opposing the doctrine of preventive war advocated in Washington, and by refusing to support the ambitions of the Pentagon and the military-industrial complex, Canada distanced itself from a tense international situation. In doing so, it ran the risk of diplomatic breakdown or economic reprisals, but in choosing a path of reason and political accountability, the country reaffirmed its independence. The retrospective analysis of High Wire brings in multiple points of view, illuminating the mysteries behind a high-level decision that affected the collective future of a nation. The film reminds us that human suffering, which accompanies all military action, is the terrible price we pay when diplomacy fails to resolve international conflicts.
Written, Researched and Directed by
Claude Guilmain
Participants
Dr. Miloud Chennoufi
Department of Defence Studies
Canadian Forces College
Rt. Hon. Jean Chrétien
Prime Minister of Canada, 1993–2003
Paul Heinbecker
Canadian Ambassador (Ret’d), Permanent Canadian representative to the United Nations, 2000-2004
Edward Goldenberg, C.M.
Former Senior Policy Advisor and Chief of Staff to Prime Minister Jean Chrétien
Chantal Hébert
Political reporter
Claude Laverdure
Canadian Ambassador (Ret’d), Diplomatic advisor to Prime Minister Jean Chrétien
Karine Prémont
Professor, School of Applied Politics
University of Sherbrooke
Camera
Jean-Marc Abela
Philip Grondin
Location Sound
René Portillo
Frédéric Edwards
Marco Fania
Simon Paine
Editing
Boban Chaldovich
Sound Editing
Daniel Toussaint
Research
Marika Lapointe
Kisha Pembe
Original Music
Martin Léon
with the assistance of
Alexis Dumais
Musicians
Martin Léon, Leader
Alexis Dumais, EMD
Sheila Hannigan, cello
Production Manager
Kristel Viduka
Camera assistant
Félix Desroches
Multi-screen System Designer
Gregory Palanque
Multi-Screen System Assistant
Aurélien Muller
Grip dolly
Camille Bergeron Bégin
Foley
Stéphane Cadotte
Foley Recording
Geoffrey Mitchell
Online Editing
Yannick Carrier
Titles
Jacques Bertrand Simard
Sound Mixing
Isabelle Lussier
Credits and Graphic Animations
Creative Direction
Christian Langlois, Mémoire liquide
Design and Graphic Animations
Mélanie Bouchard
Subtitles and Translation
MELS
Marketing Manager
Karine Sévigny
Production Coordinators
Sara Sajedi
Laura Bergeron
Aliou Diallo
Administrator and Line Producer
Alexandrine Torres de Figueiredo
Technical Coordinators
Daniel Claveau
Mira Mailhot
Technical Support
Patrick Trahan
Isabelle Painchaud
Pierre Dupont
Technical Audio Support
Bernard Belley
Legal Counsel
Peter Kallianiotis
Producers and Executive Producers
Denis McCready
Dominic Desjardins
Produced by
the National Film Board of Canada – Canadian Francophonie Studio