A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.
Yolande Simard Perrault is a woman of extraordinary spirit, impressively energetic at the age of 90. If she seems as strong and enduring as the Canadian Shield, surely it’s because of the fateful coup de foudre that linked her life forever with that of the great filmmaker Pierre Perrault.
That lightning-strike of love was as sudden as the meteor that struck near Baie-Saint-Paul, Charlevoix, some 400 million years ago, tearing an immense crater in the earth that extends as far the St. Lawrence River. The meteor shaped both the geography of the region and the psyche of its inhabitants. With that metaphor as their starting point, Nadine Beaudet and Danic Champoux paint an intimate portrait of a daring, determined woman who sees her life as the outcome of these earth-shaking upheavals. Daughter of the Crater shows how a seismic love between two people led to a shift in the history of documentary film. Profoundly attached to the land, Yolande Simard Perrault became the lifelong partner and collaborator, then guardian of the memory, of the man who breathed new life into Quebec cinema.
Yolande’s story is a veritable love letter to the landscape, expressed in her own lyrical style. Driven by an idea of the country, a vision she formed in communion with the sublime and inspired by nature, this uncompromising dreamer helped to create Quebec’s collective national identity. The starting point was her decisive meeting with Pierre Perrault, then a young Montreal lawyer, who left everything for a woman who would introduce him to the idea of a Québécois identity, and to the vernacular of her region. The filmmakers use excerpts from books and film to illustrate Yolande’s huge influence on the work of her creative and life partner, who presented a nation to the world through the heightened poetry of reality.
The documentary is structured around meetings with Yolande at her Montreal home and the family cottage on the St. Lawrence, facing Île aux Coudres. We see her walking through the landscape she loves so much, describing its splendours. Letters and photographs chart the exemplary journey of this modern woman, ahead of her time, who chose freedom early in life and made knowledge the core of her existence. An archaeologist by training and a keen botanist, Yolande carries us along in a flood of images and words, giving shape and structure to a landscape created on an immense scale.
This film is the happy result of a spontaneous collaboration between Nadine Beaudet and Danic Champoux, each a past winner of the annual Prix Pierre-et-Yolande-Perrault at the Rendez-vous Québec Cinéma. Through this exploration of the memories of an exceptional woman, the filmmakers invite Quebeckers to re-embrace who they are and thus assure the continued life of their culture. In its desire to pass on this knowledge, the film could not be more timely. Thanks to the generosity of Yolande Simard Perrault, Daughter of the Crater celebrates the legacy of Pierre Perrault just as the NFB prepares to move to new premises in downtown Montreal—a way for the institution to sustain the memory of a man who held high the flame of a dream created by two pairs of hands, in the name of love.
Producers
NADINE BEAUDET
JOHANNE BERGERON (NFB)
A film by
NADINE BEAUDET
DANIC CHAMPOUX
With
YOLANDE SIMARD PERRAULT
MARTIN BRISSON
JEAN-MICHEL CASTONGUAY
Written and Directed by
NADINE BEAUDET
DANIC CHAMPOUX
Editing
RENÉ ROBERGE
Camera
CHRISTIAN MATHIEU FOURNIER
Sound Recording
NADINE BEAUDET
Additional Sound Recording
DANIC CHAMPOUX
Sound Design
OLIVIER CALVERT
Producers
NADINE BEAUDET
JOHANNE BERGERON (NFB)
Executive Producers
CHRISTIAN MATHIEU FOURNIER
COLETTE LOUMÈDE (NFB)
NATHALIE CLOUTIER (NFB)
Produced with the financial participation of
Conseil des arts et des lettres du québec
Canadian Film or Video Production
Tax Credit Program
With the cooperation of
SPIRA
Online Editing
SERGE VERREAULT (NFB)
Sound Mixing
ISABELLE LUSSIER (NFB)
Foley
LISE WEDLOCK
Foley Recording
GEOFFREY MITCHELL (NFB)
Voice Recording
OLIVIER CALVERT
NFB Team
Digital Editing Technicians
PIERRE DUPONT
ISABELLE PAINCHAUD
PATRICK TRAHAN
Computer Graphics
CYNTHIA OUELLET
Technical Coordinators
MIRA MAILHOT
JEAN-FRANÇOIS LAPRISE
Administrator
SIA KOUKOULAS
Production Coordinator
CHINDA PHOMMARINH
Studio Coordinator
PASCALE SAVOIE-BRIDEAU
Legal Counsel
DOMINIQUE AUBRY
Marketing Manager
FRANÇOIS JACQUES
Marketing Coordinators
SOPHIE THOUIN
JOLÈNE LESSARD
SPIRA Team
Technical Director – Equipment
VINCENT DESCHENES
Assistant to the Technical Director – Equipment
JULIE PELLETIER
NFB Film Excerpts
Of Whales, the Moon and Men
Michel Brault, Pierre Perrault
1962
Un pays sans bon sens
Pierre Perrault
1970
L’Oumigmag ou l’objectif documentaire
Pierre Perrault
1993
Cornouailles
Pierre Perrault
1994
Unpublished images from the filming
Un pays sans bon sens
Pierre Perrault
1970
Archives
Au pays de Neufve France
Episode Turlutte
René Bonnière, Pierre Perrault
Crawley Films Canada, 1960
Episode Winter Crossing at L’Isle-aux-Coudres
René Bonnière, Pierre Perrault
Crawley Films Canada / CBC 1958
Radio series L’Appel du Nord
Episode 10, Société Radio-Canada
Fonds Pierre Perrault, Université Laval
La correspondance personnelle.1949-1998
P319/A/1,1
Le Cycle du pays: Un pays sans bon sens!
P319/D7
Book Excerpts
Portulan
Pierre Perrault
Librairie Beauchemin, 1961
Chouennes
Pierre Perrault
L’Hexagone, 1975
L’Oumigmatique ou l’objectif documentaire
Pierre Perrault, Photographies Martin Leclerc
L’Hexagone, 1995
Cinéaste de la parole
Pierre Perrault, Entretiens avec Paul Warren
L’Hexagone, 1996
Le mal du Nord
Pierre Perrault
Éditions Vent d’Ouest, 1999
Music
Guide sonore des oiseaux du Québec – volume 1
Jean Bédard
La société zoologique de Québec, Chouette, 1972
Ton ombre
Francois Carcopino Tusoli / Vincent Pierre Maurice Vial
Albin Michel
Performed by: Jacques Douai
Album: Héritage – Récital no 9 – 15 ans de chansons
BAM 1965
Inuit Games and Songs
Traditional
Album: Unesco Collection of Traditional Music of the World – Musical Sources
Philips, 1978
La Juive: Rachel, quand du Seigneur la Grâce Tutélaire
Fromental Halévy
Performed by: Enrico Caruso
Victrola, 1921
Photos
MARTIN LECLERC
Personal Correspondence
SIMARD PERRAULT FAMILY
Release of Copyright
NANCY MARCOTTE
JOSÉE-ANNE TREMBLAY
The production would like to thank
LOUISE BAIL
JEAN-FRANÇOIS BEAUDET
YVES BEAUDET
MICHÈLE BÉLANGER
LAURENCE BOUTET
MARIE-ANDRÉE CHARLEBOIS
JULIE CÔTÉ
CAROLINE DESBIENS
OLIVIER DUCHARME
DORIS DUMAIS
CLAUDE FRAPPIER
SOLANGES FORTIN
ALAIN FOURNIER
JACQUES JACOB
MARTIN LECLERC
LOUIS-PHILIPPE L’ÉCUYER
BERNARD L’HEUREUX
BLANCHE MATHIEU
NADIA MÉNARD
JEAN-FRANÇOIS NADEAU
KRISTINA ÖHRVALL
MARIE-RENÉE OTIS
FRANCINE SAINT-AUBIN
MONIQUE QUESNEL
FRANCINE TREMBLAY
AUBERGE LA FASCINE
MUSÉE DE CHARLEVOIX
CINÉMATHÈQUE QUÉBÉCOISE
RUANS-DOMINIC BROUILLETTE, HORLOGER
ARCHIVES HISTORIQUES, UNIVERSITE LAVAL
PARKS CANADA/SAGUENAY–SAINT LAWRENCE MARINE PARK
OBSERVATOIRE ASTRONOMIQUE DE L’ASTROBLÈME DE CHARLEVOIX
GROUP FOR RESEARCH AND EDUCATION ON MARINE MAMMALS
Special thanks to
ROBERT MICHAUD
GENEVIÈVE PERRAULT
MATHIEU PERRAULT
The directors would like to thank their loved ones for their support,
especially Tina and Christian.
A production of LES VUES DU FLEUVE in co-production with nfb.ca
© 2019 LES VUES DU FLEUVE AND NATIONAL FILM BOARD OF CANADA