Eighteen teenagers. Seven life-changing weeks.
Every summer, the Royal Canadian Air Cadets offers its top cadets the chance to participate in an elite flight-training camp. As the Crow Flies follows a group of these young men and women as they undergo seven weeks of training to get their pilot’s license in an intense program that normally takes six to eight months.
Casting an especially affectionate and empathetic eye on her female subjects, filmmaker Tess Girard—herself a graduate of the program—creates a unique and intimate portrait of an extraordinary, yet also very recognizable, group of 17-year-olds as they come of age. As one cadet says, the program is “not only learning about flying, but also about how intricate everything is.”
When I was 17 years old, I took the same course that the teenagers in this film did. Flying at a young age taught me to see the world from a different perspective, as it did for these teenagers.
As the Crow Flies is not a film about flight. It is a film about discovering ourselves through personal achievement and new perspectives. Coming of age is not about becoming someone else or growing into someone new. It is about growing to understand the self in conjunction with our surroundings; embracing it in all its awkwardness, shortcomings, beauty, and potential.
There are very few sophisticated representations of teenagers in cinema. It’s an age group often regarded with a sense of loathing. Admittedly, I’ve wondered myself why I would ever want to make a film about an age in my life that I remember enduring rather than experiencing.
After spending a summer with these youth, I fell in love with them. I saw pieces of myself within them and empathized greatly with them. Just as flying gave these teenagers a shift in perspective, observing them gave me a new perspective on myself.
I was smitten with how excited they were over the simplest of things. I was taken with how they wanted to learn and experience everything new. I was humbled by their humility and warmed by their confidence. I was moved by how hard they tried to excel and how much they achieved at a young age — with little understanding of how special it was!
If we can spend a bit of time with these youth — watch them grow, watch them change, watch them see the world anew — we as an audience can get in touch with the teenager within and apply that spirit to our current lives. The version of us that isn’t afraid of the world, that’s willing to try new things, that’s thirsty for knowledge and willing to jump off the precipice.
Any person who says they’re worried about the next generation hasn’t met a teenager lately. Specifically, they haven’t met these teenagers.
We have much to learn from them.
Written and Directed by
Tess Girard
Produced by
Lea Marin
Executive Producer
Anita Lee
Director of Photogrphy
Tess Girard
Editor
Ryan J. Noth
Sound Recordist
Mike Filippov
Original Music Composed by
Paul Aucoin and Snowblink
Featuring
Michael Andrews
Raveen Appuhamy
Andre Charron
Emma Flanagan-Dellipizzi
Rhea Gaur
Julia Gevaert
Victoria Gevaert
Christopher Hoverd
Daniel Kang
Alexander Leung
Abhay Mahajan
Maha Minni
Brandon Moore
Stewart Norval
Joshua Timothy Shand
Namita Sharma
James Shaw
Ricardo Ferreira Da Silva
Brandon Lucas Spano
Production Supervisor
Mark Wilson
Studio Administrator
Stefanie Brantner
Additional Cinematography
Maya Bankovic
John Price
Additional Sound Recording
Maya Bankovic
Tess Girard
Production Coordinator
Andrew Martin-Smith
Technical Coordinator
Marcus Matyas
Assistant Editors
Curry Leamen
Zoya Rezaie
Production Assistants
Kanishka Gulati
Chris Niesing
Online Editor
Yannick Carrier
Re-recording Mixer
Serge Boivin
Sound Design / Editing Supervisor
Daniel Pellerin
Original Sound Design
James Mark Stewart
Dialogue / Sync Editor
Rob Hutchins
Sound Effects Editor
Geoff Raffan
Music Editor
Daniel Pellerin
Foley Artist
John Sievert
Foley Recordist
Randy Wilson
Voice Over Recording
Mike Norberg
Foley and Voice Over Recording Facility
JRS Productions
Sound Design and Editing Provided by
Daniel Pellerin Digital Sound Production
Marketing Manager
Melissa Wheeler
Publicist
Jennifer Mair
Stills Photographer
Dave Chidley
Legal Counsel
Peter Kallianiotis
“Best Loved Spot”
Written by Daniela Gesundheit and Dan Goldman
Performed by Snowblink
Courtesy of Arts & Crafts Productions Inc.
“Watching Herzog and Listening to the Idiot”
Performed by Rich Aucoin
Written by Rich Aucoin
Published by Third Side Music Inc.
Courtesy of Sonic Entertainment”
“The Sun Roars Into View”
Performed by Colin Stetson and Sarah Neufeld
Written by Colin Stetson and Sarah Neufeld
Published by Third Side Music Inc./ Sarah Neufeld
Courtesy of Constellation Records
“Goodbye Eyes”
Written by Daniela Gesundheit and Dan Goldman
Performed by Snowblink
Courtesy of Arts & Crafts Productions Inc.
“All at Once”
Performed by Pete Samples
Written by Brent Freedman (SOCAN)
Published by Brent Freedman (SOCAN)
Courtesy of Brent Freedman