1. Media Space

  2. Press Releases

NFB docs feature moving explorations of trauma, healing and mental health. Jules Arita Koostachin’s WaaPaKe (Tomorrow) and Brian M. Cassidy and Melanie Shatzky’s A Man Imagined screening at Rendezvous with Madness.

PRESS RELEASE
04/10/2024

October 4, 2024 – Toronto – National Film Board of Canada (NFB)

Two powerful and award-winning documentaries from the National Film Board of Canada (NFB) will be featured at the 2024 Rendezvous with Madness Film Festival in Toronto, taking place October 25 to November 3.

The festival’s opening night film, Vancouver-based filmmaker Jules Arita Koostachin’s WaaPaKe (Tomorrow) unravels the tangled threads of silence suffered by residential school Survivors through truth, freedom and power.

The festival will host the Ontario premiere of Montreal filmmakers Brian M. Cassidy and Melanie Shatzky’s immersive documentary fable A Man Imagined, a bracingly intimate and hallucinatory portrait of a man with schizophrenia surviving amidst urban detritus and decay.

More about the films

WaaPaKe (Tomorrow) by Jules Arita Koostachin (80 min)
SCREENING: Friday, October 25, 2024, 6:30 p.m. | Arrell Family Foundation Auditorium at CAMH (1025 Queen Street West, 2nd Floor)
Produced by Teri Snelgrove and executive produced by Shirley Vercruysse for the NFB
Press kit: mediaspace.nfb.ca/epk/waapake

  • For generations, the suffering of residential school Survivors has radiated outward, impacting Indigenous families and communities. Dr. Jules Arita Koostachin’s deeply personal documentary moves beyond intergenerational trauma, with an invitation to unravel the tangled threads of silence and unite in collective freedom and power.
  • Named Best BC Film at the Vancouver International Film Festival and winner of the APTN Award at the Montreal First Peoples Film Festival.
  • Dr. Jules Arita Koostachin (Attawapiskat) is an award-winning filmmaker, mother, writer, performance artist and academic. With her background in community work, social justice themes emerge in her films, alongside bravery, healing, connection and humour. Jules honours her Cree-speaking grandparents who raised her, and her mother, a residential school Survivor/warrior. Koostachin holds a Ph.D. in Indigenous documentary and protocols and processes, through the Institute of Gender, Race, Sexuality and Social Justice program at the University of British Columbia.

A Man Imagined by Brian M. Cassidy and Melanie Shatzky (62 min)
SCREENING: Sunday, October 27, 2024, 5:00 p.m. | Arrell Family Foundation Auditorium at CAMH (1025 Queen Street West, 2nd Floor)
ONLINE: Streaming online in Ontario from November 4 to 11 at workmanarts.com/rendezvous-with-madness.
Produced by Rohan Fernando for the NFB
Press kit: mediaspace.nfb.ca/epk/a-man-imagined

  • Made in close collaboration with 67-year-old Lloyd, this immersive documentary fable follows the jagged path of a decades-long street survivor, across harsh winters and blistering summers, as he sells discarded items to motorists, sleeps in junkyards and lapses into near-psychedelic reveries. When Lloyd reveals a startling detail from his past, the filmmakers try to help him piece together a story that spills out in fragments—a jigsaw puzzle of painful childhood abstraction that seems to hold an unspeakable mystery at its core.
  • Winner of the Directors’ Choice Award at the 2024 Tallahassee Film Festival.
  • Brian M. Cassidy and Melanie Shatzky have won numerous awards for their work and have held fellowships at MacDowell, Yaddo and IFP. Their feature debut, Francine, starring Academy Award winner Melissa Leo, was described as “raw, intimate and observed with penetrating acuity” by The Hollywood Reporterand was selected as a New York Times Critic’s Pick. Their documentary The Patron Saints was called “one of the most powerful Canadian documentaries of recent years” by POV Magazine.

– 30 –

French version here | Version française ici.

Media Relations

  • About the NFB

    For more than 80 years, the National Film Board of Canada (NFB) has produced, distributed and preserved those stories, which now form a vast audiovisual collection—an important part of our cultural heritage that represents all Canadians.

    To tell these stories, the NFB works with filmmakers of all ages and backgrounds, from across the country. It harnesses their creativity to produce relevant and groundbreaking content for curious, engaged and diverse audiences. The NFB also collaborates with industry experts to foster innovation in every aspect of storytelling, from formats to distribution models.

    Every year, another 50 or so powerful new animated and documentary films are added to the NFB’s extensive collection of more than 14,000 titles, half of which are available to watch for free on nfb.ca.

    Through its mandate, its stature and its productions, the NFB contributes to Canada’s cultural identity and is helping to build the Canada of tomorrow.